Pascendi Dominici Gregis §22

²² We have already touched upon the nature and origin of the Sacred Books. According to the principles of the Modernists they may be rightly described as a collection of experiences , not indeed of the kind that may come to anybody, but those extraordinary and striking ones which have happened in any religion. And this is precisely what they teach about our books of the Old and New Testament. But to suit their own theories they note with remarkable ingenuity that, although experience is something belonging to the present, still it may derive its material from the past and the future alike, inasmuch as the believer by memory lives the past over again after the manner of the present , and lives the future already by anticipation. This explains how it is that the historical and apocalyptical books are included among the Sacred Writings. God does indeed speak in these books - through the medium of the believer, but only, according to Modernistic theology, by vital immanence and permanence . Do we inquire concerning inspiration? Inspiration, they reply, is distinguished only by its vehemence from that impulse which stimulates the believer to reveal the faith that is in him by words or writing. It is something like what happens in poetical inspiration, of which it has been said: There is God in us, and when he stirreth he sets us afire. And it is precisely in this sense that God is said to be the origin of the inspiration of the Sacred Books. The Modernists affirm, too, that there is nothing in these books which is not inspired. In this respect some might be disposed to consider them as more orthodox than certain other moderns who somewhat restrict inspiration, as, for instance, in what have been put forward as tacit citations . But it is all mere juggling of words. For if we take the Bible, according to the tenets of agnosticism, to be a human work, made by men for men, but allowing the theologian to proclaim that it is divine by immanence, what room is there left in it for inspiration? General inspiration in the Modernist sense it is easy to find, but of inspiration in the Catholic sense there is not a trace.