The Instructor

Dyeing of clothes is also to be rejected. For it is remote both from necessity and truth, in addition to the fact that reproach in manners spring from it. For the use of colours is not beneficial, for they are of no service against cold; nor has it anything for covering more than other clothing, except the opprobrium alone. And the agreeableness of the colour afflicts greedy eyes, inflaming them to senseless blindness. But for those who are white and unstained within, it is most suitable to use white and simple garments. Clearly and plainly, therefore, Daniel the prophet says, “Thrones were set, and upon them sat one like the Ancient of days, and His vesture was white as snow.” The Apocalypse says also that the Lord Himself appeared wearing such a robe. It says also, “I saw the souls of those that had witnessed, beneath the altar, and there was given to each a white robe.” And if it were necessary to seek for any other colour, the natural colour of truth should suffice. But garments which are like flowers are to be abandoned to Bacchic fooleries, and to those of the rites of initiation, along with purple and silver plate, as the comic poet says:—

“Useful for tragedians, not far life.”

And our life ought to be anything rather than a pageant. Therefore the dye of Sardis, and another of olive, and another green, a rose-coloured, and scarlet, and ten thousand other dyes, have been invented with much trouble for mischievous voluptuousness. Such clothing is for looking at, not for covering. Garments, too, variegated with gold, and those that are purple, and that piece of luxury which has its name from beasts (figured on it), and that saffron-coloured ointment-dipped robe, and those costly and many-coloured garments of flaring membranes, we are to bid farewell to, with the art itself. “For what prudent thing can these women have done,” says the comedy, “who sit covered with flowers, wearing a saffron-coloured dress, painted?”

The Instructor expressly admonishes, “Boast not of the clothing of your garment, and be not elated on account of any glory, as it is unlawful.”

Accordingly, deriding those who are clothed in luxurious garments, He says in the Gospel: “Lo, they who live in gorgeous apparel and luxury are in earthly palaces.” He says in perishable palaces, where are love of display, love of popularity, and flattery and deceit. But those that wait at the court of heaven around the King of all, are sanctified in the immortal vesture of the Spirit, that is, the flesh, and so put on incorruptibility.

As therefore she who is unmarried devotes herself to God alone, and her care is not divided, but the chaste married woman divides her life between God and her husband, while she who is otherwise disposed is devoted entirely to marriage, that is, to passion: in the same way I think the chaste wife, when she devotes herself to her husband, sincerely serves God; but when she becomes fond of finery, she falls away from God and from chaste wedlock, exchanging her husband for the world, after the fashion of that Argive courtesan, I mean Eriphyle,—

“Who received gold prized above her dear husband.”

Wherefore I admire the Ceian sophist, who delineated like and suitable images of Virtue and Vice, representing the former of these, viz. Virtue, standing simply, white-robed and pure, adorned with modesty alone (for such ought to be the true wife, dowered with modesty). But the other, viz. Vice, on the contrary, he introduces dressed in superfluous attire, brightened up with colour not her own; and her gait and mien are depicted as studiously framed to give pleasure, forming a sketch of wanton women.

But he who follows the Word will not addict himself to any base pleasure; wherefore also what is useful in the article of dress is to be preferred. And if the Word, speaking of the Lord by David, sings, “The daughters of kings made You glad by honour; the queen stood at Your right hand, clad in cloth of gold, girt with golden fringes,” it is not luxurious raiment that he indicates; but he shows the immortal adornment, woven of faith, of those that have found mercy, that is, the Church; in which the guileless Jesus shines conspicuous as gold, and the elect are the golden tassels. And if such must be woven for the women, let us weave apparel pleasant and soft to the touch, not flowered, like pictures, to delight the eye. For the picture fades in course of time, and the washing and steeping in the medicated juices of the dye wear away the wool, and render the fabrics of the garments weak; and this is not favourable to economy. It is the height of foolish ostentation to be in a flutter about peploi, and xystides, and ephaptides, and “cloaks,” and tunics, and “what covers shame,” says Homer. For, in truth, I am ashamed when I see so much wealth lavished on the covering of the nakedness. For primeval man in Paradise provided a covering for his shame of branches and leaves; and now, since sheep have been created for us, let us not be as silly as sheep, but trained by the Word, let us condemn sumptuousness of clothing, saying, “You are sheep's wool.” Though Miletus boast, and Italy be praised, and the wool, about which many rave, be protected beneath skins, yet are we not to set our hearts on it.

The blessed John, despising the locks of sheep as savouring of luxury, chose “camel's hair,” and was clad in it, making himself an example of frugality and simplicity of life. For he also “ate locusts and wild honey,” sweet and spiritual fare; preparing, as he was, the lowly and chaste ways of the Lord. For how possibly could he have worn a purple robe, who turned away from the pomp of cities, and retired to the solitude of the desert, to live in calmness with God, far from all frivolous pursuits— from all false show of good— from all meanness? Elias used a sheepskin mantle, and fastened the sheepskin with a girdle made of hair. And Esaias, another prophet, was naked and barefooted, and often was clad in sackcloth, the garb of humility. And if you call Jeremiah, he had only “a linen girdle.”

For as well-nurtured bodies, when stripped, show their vigour more manifestly, so also beauty of character shows its magnanimity, when not involved in ostentatious fooleries. But to drag one's clothes, letting them down to the soles of his feet, is a piece of consummate foppery, impeding activity in walking, the garment sweeping the surface dirt of the ground like a broom; since even those emasculated creatures the dancers, who transfer their dumb shameless profligacy to the stage, do not despise the dress which flows away to such indignity; whose curious vestments, and appendages of fringes, and elaborate motions of figures, show the trailing of sordid effeminacy.

If one should adduce the garment of the Lord reaching down to the foot, that many-flowered coat shows the flowers of wisdom, the varied and unfading Scriptures, the oracles of the Lord, resplendent with the rays of truth. In such another robe the Spirit arrayed the Lord through David, when he sang thus: “You were clothed with confession and comeliness, putting on light as a garment.”